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2012-1115 Regular City Commission Meeting
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2012-1115 Regular City Commission Meeting
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CityClerk-City Commission
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Regular
Date (mm/dd/yyyy)
11/15/2012
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Minutes
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Summary Minutes:Regular City Commission Meeting November 15,2012 City of Sunny Isles Beach,Florida <br /> curves in. And so this is a very limited type of space when he lays out the core,and with the <br /> parking it really creates a very tight situation. Working with Shoreline and staff <br /> recommendations, Joe Milton agreed to do some mangrove mitigation and not limit the <br /> baywalk but give it a wider type of space all along the edge, and carved into the building <br /> trellis to give it even more space. So we achieved all the minimum requirements of the <br /> baywalk by several feet making it quite comfortable. Throughout the building there are areas <br /> that are going to have visual connections visually connecting the building from 163rd Street to <br /> the water. One of the recommendations was to create a walk along the west end that will be a <br /> physical connection between 163rd Street and the water. Again,the City has plans to turn this <br /> property into a future park(i.e. Gateway Park)so that is definitely something that is going to <br /> benefit both the development and also the City in the future. <br /> Architect Castineira said in terms of elevations, there are a couple of things that are very <br /> important that we looked at in this project from the previous St. Tropez project. In that <br /> project,the distance between the towers are roughly 70 feet and 66 feet,and we were able to <br /> have a distance of 128 almost 130 feet between these two buildings. The reason for that was <br /> to create a good visual line from other neighboring buildings in the area. We also wanted to <br /> do a much more slender building, and again,the theory about visual impact when a building <br /> becomes slender and taller it is less of a visual impact then when a building is shorter and <br /> fatter. And so this facade is the one that goes over the causeway and we have treated it in a <br /> much more slender architectural element. This facade will be facing the causeway so it <br /> becomes almost like a facade in its own merit to the project as it is about three stories high. <br /> Therefore, at that point we are high enough so that the visual impact of this building is <br /> lessened by the fact that you are in an elevated point of the causeway. We looked at all of <br /> those things, in the elements of the distribution of height in the project, and we felt that the <br /> project steps up into a much more linear and iconic type building at the west end making a lot <br /> of sense. <br /> Architect Castineira showed renderings of the project which shows a building that continues <br /> to be in that realm of a modern language, rather clean, rather simple, with the waving of the <br /> balconies having the sort of wave type of symbolism. The building is trying to capture its <br /> simplicity in a much more simple and elegant way than other things that have been done. We <br /> are also capturing the entrances in a very similar fashion to the St.Tropez project with similar <br /> elements and some of them will continue to elaborate to make sure that we have different <br /> detailing. On the corner building there is an interesting architectural expression that we are <br /> thinking about which is again a continuous façade that has to end at some point. It does end at <br /> the corner and so we have an element here that marks that entry. It is an ideal place for having <br /> a bank or things of that nature, and so it calls for concerns of an investigation of possible <br /> tenants in that space. At the same time when we turn the corner, now we are on a street(i.e. <br /> Collins) that has a lot of modern buildings, and so there is where we are playing a bit of an <br /> architectural language which is when you turn the corner,the Collins facade sort of terminates <br /> with this element similar to the one that turns on 163rd. However,at that point this becomes <br /> much more of an iconic modern type. The idea was with all of these elements that need to be <br /> open,we have to do something that is much more in tune with modern language which is the <br /> carving and fragmentation of space. With the canopy,metal paneling,and the lighting,it will <br /> give that sort of streamlined modern look that is much more in tune with an office building,a <br /> high-end hotel,etc. We have elements of glass walls for a lot of visuals from the offices,and <br /> 12 <br />
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